Joanna Hogg is sitting on a lodge balcony overlooking the Mediterranean, however what she’d actually wish to be doing is swimming in it.
The night time earlier than, Hogg premiered her movie The Memento Half II on the Cannes Movie Competition. Sequels could also be an everyday a part of summer season, however they hardly ever make it to Cannes. But The Memento is not any ordinary two-parter.
Collectively, the films are a chic, singular work of semi-autobiography — a coming-of-age self-portrait mirrored by time and cinema. They’re primarily based on a interval in Hogg’s life within the late ’80s when she was in movie faculty in London.
Partly one, a romance with an older man who has a hidden drug habit ends tragically. Partly two, Julie devotes herself to creating her closing pupil movie about that have whereas processing her grief. In each, Honor Swinton Byrne performs a barely fictionalized model of Hogg when she was youthful; Byrne’s real-life mom, Tilda Swinton, performs her mother.
The flicks had been written collectively as one piece, unfold throughout two movies. And there’s little or no like them.
“I don’t even feel sure I have completed it,” Hogg says, a bit of stunned to really feel that approach. “It’s funny, because I have completed it. I’m not making another part. I don’t know that it’s really dawned on me that it’s finished.”
The Memento Half II has been one of many clear standouts on the Cannes Movie Competition. It performed within the Administrators’ Fortnight, which runs parallel to the Cannes official choice. It’s a hushed, formally composed movie that performed down the Croisette from Cannes’ central Palais.
Nonetheless, few motion pictures right here have spawned as a lot fawning over. Hogg’s mission has already attracted a wide selection of admirers (Martin Scorsese is an government producer of each movies). However “The Souvenir Part II,” which a24 will launch, solely enhances Hogg’s achievement.
“I’ve rediscovered a way of making films that I enjoyed when I was at film school before I got sucked into television,” says the 61-year-old Hogg, who didn’t make her characteristic directorial debut till 2007′s “Unrelated.” “It was the making of the film within the film within the film — I don’t know how many inside boxes there are.”
The hall-of-mirrors nature of The Memento solely will get weirder. Tilda Swinton, an outdated buddy of the director’s, starred in Hogg’s unique 1986 quick movie, titled “Caprice.” In The Memento Half II, Byrne wears a few of her mom’s garments from that point. After the primary Cannes screening of the movie, Swinton mentioned emphatically, “It was a trip.”
Hogg acknowledges that even for her the strains between reminiscence and fiction have blurred. Towards the tip of Half II, Julie is interviewed about her pupil movie — a scene that Hogg feels being replayed for herself.
“I almost feel like I’m inside a film as I’m talking to you,” Hogg says, laughing. “We have Julia being interviewed, and she’s saying exact words that I said in an interview in the late ’80s. It’s too weird. Maybe I’m dreaming. Maybe this is a film.”
But when there’s a lot nonetheless unclear for Hogg about her expertise finishing The Memento, what’s completely uncomplicated is that, 35 years later, she’s totally realized herself as a filmmaker.
“I feel more emboldened,” says Hogg. “I seem on the surface to be quite reserved and a bit shy — that’s how I feel, anyway. But when it comes to making my work, I’m like a dog with a bone. It’s my lifeblood.”